Atwoods Tricks With Mirrors as a Declaration of Female Independence Es

Atwoods Tricks With Mirrors as a Declaration of Female IndependenceRelationships argon complex things, with ever-changing dynamics. Some traditional roles are always played in the constant search for balance between giving and taking in relationships. Women have historically and stereotypically played the role of giver in male-female romantic unions. In recent years the gender laws of relationships have been changing and evolving, but plane as recently as the 1970s and 1980s women have been restricted to the role of complacent giver in their relationships. Their freedom of thought and even hole-and-corner(a) speech have been impossible to repress, however, and through broadening that communication, things have been forced into lurch. A perfect example of this form of communication as an attempt to change the role-playing games of relationships is Margaret Atwoods 1974 poem, Tricks With Mirrors. Through the use of poetic devices such as metaphor and tone in Tricks with Mirrors, Atw ood attempts to explain and break free from the restrictions of these traditional dynamics in relationships. In Part I of the poem, Atwood uses a seemingly vague introduction to the subject matter, but gets straight to the point. Within five lines, she distinctly identifies her role as a mirror as she says, I enter with you / and become a mirror, (lines 4-5). She gives the impression that she is merely an object in this relationship - she is a mirror through which her self-centred lover may view himself. Mirrors / are the perfect lovers, she states (lines 6-7). They show a constant and loyal reflection to whoever may stand in front of them. She is objectifying herself as she tells her lover to carry her carefully up the stairs and to ... ...She uses her tone of voice and the metaphors of mirrors and pools to make her case for freedom. Atwoods speaker is merely an object trapped in a relationship in which she serves only to reflect her lover to himself - and she no longer wishes t o remain as such. She is seemingly ever patient in her endeavors, and continues to give end-to-end her quiet rebellion. All her lover ever does is take from her what he pleases - a faithful reflection of what he wishes to see in himself. Atwood defines these traditional roles in relationships magic spell forming her opposition to the nature of these unfair dynamics. Tricks with Mirrors is almost an anthem for the oppressed woman - a statement that calmly explains a situation that needs to be changed. A deeper message may be found in the poem, however, as she conveys her detached unhappiness - do not become a mirror, she tells us.